Partners of The Guild
Wyre Community Land Trust
WCLT is a social enterprise, originally set up by Guild Companion and Director John Iles, which manages more than 300 acres in the Wyre Forest. It specialises in increasing the biodiversity of farmland and meadows, replanting and restoring traditional orchards, producing rare breed beef, the management of sensitive habitats, providing training and support and offering opportunities for land based volunteer work. The Trust is based at St George’s Farm on Ruskin Land.
Since 2007, they’ve been nurturing neglected farmland and woodland in and around the Wyre Forest. They are equally committed to making it more viable for more people to earn a living from the land. As well as managing the land, they run a busy sawmill and workshop, sell a growing range of products, run courses, and help local landowners get more benefits from their property and products.
The Trust currently has ten employees, they’re helped by a team of around 50 volunteers, and guided by six directors. In addition to the Guild, they work with more than 30 local landowners, and partner closely with bodies like Natural England, The Forestry Commission, Butterfly Conservation, and The Woodland Trust.
Sheffield Museums Trust
Sheffield Museums Trust is the charity responsible for Sheffield’s museums and galleries, including the Millennium Gallery, Weston Park Museum and the Graves Gallery. Their vision is to provide inspirational museums and galleries where people can reflect upon the past, question the present and imagine the future. Their mission is to connect with their visitors, share stories about Sheffield and the wider world, and care for the city’s collections. Among these collections is the Guild of St George’s Ruskin Collection, which they house, care for, curate and display.
The Guild and the Sheffield Museums Trust team work closely together to ensure that Ruskin’s vision for his collection, as a gift and an educational resource for the working people of Sheffield, freely available, remains the guiding principle behind the management of the Ruskin Collection.
The Big Draw
Founded in 2000, The Big Draw (formally The Campaign for Drawing, initiated by The Guild) is an arts education charity that promotes visual literacy and the universal language of drawing as a tool for learning, expression and invention.
The charity leads a diversified programme encompassing advocacy, empowerment and engagement, and is the driving force behind the The Big Draw Festival – the world’s biggest celebration of drawing.
The charity supports professional and emerging artists through The John Ruskin Prize and exhibition, also supported by The Guild, and regular events, awards and competitions create platforms for each and everyone who wants to draw.
Throughout the year, The Big Draw manages collaborative research projects, campaigns and educational conferences on visual literacy, digital technology and STEAM. Working with cultural and educational organisations, policymakers and businesses The Big Draw demonstrates the social, economic and health benefits that drawing can bring and provides opportunities for everyone to access them.
The John Ruskin Prize
The John Ruskin Prize was founded by The Guild of St. George in 2012, and now runs under the administrative umbrella of The Big Draw, supported by the Trinity Buoy Wharf Trust, and managed by Parker Harris. Initially attracting conventional painting and drawing, it has evolved to recognise work which, whilst responding to Ruskinian principles, does not necessarily fit into any neatly-defined category. Over the years, the prize has honoured painters, printmakers, designers, sculptors, photographers and a wide range of craftspeople.
In his lifetime, Ruskin was primarily famed not as an artist but as a writer, critic, outspoken social commentator and inspiring public lecturer. For him, “The greatest thing a human soul ever does in this world is to see something, and say what it saw in a plain way”. He considered his own drawing and painting - from a geological specimen to an Alpine scene or the architecture of Venice - principally as his route to viewing and recording the world or, in the case of the enormous diagrams with which he illustrated his lectures, for example, to encouraging others properly to see it and thus to enrich their lives as productive members of society.
The John Ruskin Prize is open to entries from artists, designers and makers, amateur or professional, from anywhere in the world.
The theme of this year is Not for Present Delight. In a time defined by environmental urgency and social inequality, Not for Present Delight asks what it means to create with an awareness of consequence, while also posing the challenge: must art serve a purpose beyond itself?
The Prize welcomes works in all mediums, including drawing, painting, print, sculpture, photography, textile, animation, mixed media, digital, performance, installation and more
The selection panel will shortlist up to 80 artists and select work for inclusion in an exhibition at Trinity Buoy Wharf, London in the early part of 2027.
Four winners will receive prizes totalling £9,500: a 1st Prize of £3,000, The Alan Davidson Under 26 Prize of £1,000, Ruskin Mill Trust Prize of £3,000 and the Chelsea Arts Club Award of £2,500
Deadline to enter: Tuesday 17 November 2026, 5pm